Urban Folk Quartet

Urban Folk Quartet

Le Monde est un Village

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Dan is a member of the award winning Urban Folk Quartet. Click here for the UFQ shop.

In an age where the word “folk” encompasses everything from acoustic pop to hardcore traditional music, the use of such labels to distinguish one musical experience from another has arguably been stretched farther than ever.

The Urban Folk Quartet’s distinguishing features have much less to do with the traditional idea of genre. Yes, this is fiddle-led music that draws heavily from celtic dance forms and traditional song but from there on in it is unlike any folk band you have ever heard. Just as English country dance unassumingly met with big band jazz musicianship in the mid 20th century, The UFQ’s approach to the folk ethos is to embrace any and every influence that genuinely makes sense of their time and place and makes sense in their music. From funk grooves to middle-eastern melodies, afrobeat to north Indian rhythms.

“A sizzling hot ensemble who fuse folk with elements of dub, house and rock with an ease that shouldn’t naturally follow that list of genres. Built on the rhythms of a cajón-wielding percussionist and oud-playing bassist, the phenomenal fiddlers led the quartet in one of the tightest line-ups I have ever seen.” – Olivia Haughton, Songlines

 

The first of those phenomenal fiddlers is Galician Paloma Trigás, who has shared stages and recorded with with the likes of The Chieftains, Sharon Shannon and Altan, during her tenure touring the stadiums of the world with Spain’s biggest folk star, Carlos Nuñez. The second is Joe Broughton (Albion Band, Bellowhead, Joss Stone) long established on the folk scene as the fieriest English fiddler and showman of his generation. Also an exceptional guitarist and mandolin player, in UFQ Joe deftly shares multi-instrumentalist duties (often mid-song) with Dan Walsh. Touted as one of the finest banjo players in the country as well as a gifted singer and guitarist, Dan (Seth Lakeman Band, The Levellers, Walsh & Pound) joined UFQ in 2014, as guitarist, oud player and founding member Frank Moon stepped out of touring life. The lineup is completed by Tom Chapman, widely considered to be the most accomplished and innovative cajonero the UK has to offer.

With the vibrant and diverse Birmingham music scene as a fundamental influence, UFQ is a truly international band. Foreign touring and globally- influenced music have been at the heart of what they do since day one, when in June 2009 their first four gigs took place in four different countries.

Since then UFQ’s trail has blazed across the world, playing everything from secluded coves to 30,000 capacity festival fields, igniting audiences and winning them a devoted fan base from The Bay of Biscay to edge of The North Pacific. UFQ’s cross-genre appeal sees them occupying a singular position, crossing scenes and continents and sharing bills with the most eclectic range of artists. It only gets wilder…

Right At Home

Right At Home

‘Only musicians who have both a mastery of their own instruments and a comprehensive understanding of each other’s abilities can achieve this level of chemistry whilst making it all sound really laid-back and casual’ – LIVING TRADITION

‘This collaboration, which spans two generations of folk musicians, exudes a warmth and energy which readily compliments high-class technical musicianship’ – EDS

‘Nifty fun with bags of wow factor’ – FROOTS

The much acclaimed cross-generational pairing of legendary concertina player Alistair Anderson and exciting banjo player Dan Walsh is finally on record.

Please note this album is only available from direct order from https://www.paypal.me/danwalshbanjo for £12 including postage and packaging. Please specify in the message which album you are buying.

The Chapel Sessions

The Chapel Sessions

Chapel Sessions

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Wildly original pairing of two UK-based five-string banjo stylists: the bluegrass fingerstyle machinations of Dowling and the old-time clawhammer skills of Walsh. Ten banjo duets – with the occasional vocal – half from the tradition and half Dowling / Walsh originals.

Walsh and Pound

Walsh and Pound

‘Dan Walsh is the real deal, a demon picker and Will Pound is a master of the mouth harp’ – UNCUT

‘Brimming over with life force and genuinely charismatic musicianship’ – FROOTS

‘Great driving music’ – SPIRAL EARTH

‘Not a dull moment from start to finish’ – R2

The now defunct duo leave behind their sole album which attracted rave reviews. Spread across fifteen tracks is Walsh and Pound’s utterly unique sound based featuring sounds you wouldn’t think were possible on banjo and harmonica as well as some fine songs. The eclecticism is amazing as the duo delve into funk, bluegrass, English, Scottish and Irish folk, blues and even Middle Eastern sounds, all the while sounding very much like themselves with Will Pound’s seemingly never ending breath control and Dan Walsh’s lightning virtuosity.The material com

es from various sources with classic traditional tunes such as ‘Jolly Beggarman’ and ‘Old Tom of Oxford’, newer American songs ‘Hammer and Nail’ and ‘Clay and Ottie’, Robert Johnson’s ‘Stop Breaking Down’, Horslips’ ‘Wrath of the Rain’ as well as the duo’s own compositions the moving ‘Two Lives Lost’, the Eastern flavoured ‘CCC’ and ‘Turkish Delight’ and bluegrass trailblazer ‘The Wrong Sample’. The duo are ably assisted by legendary guitarist Martin Simpson, American singer Christi Andropolis and genre-bending percussionist Taalis.